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THE COLLEGIATE
CHORALE
AND NEW MUSIC DIRECTOR JAMES BAGWELL
ANNOUNCE THE 2009/2010 SEASON
Through May 12, 2010
Season Opens with THE
LORD OF THE RINGS on October 9 & 10, 2009
at Radio City Music Hall
Gala Concert, A JUBILANT SONG, on December
1, 2009 at 7pm at Carnegie Hall
World Premiere Two Act Concert Version of
THE GRAPES OF WRATH on March 22, 2010 at Carnegie
Hall
Handel's ISRAEL IN EGYPT on May 12, 2010 at
The Skirball Center for the Performing Arts,
New York University
The Collegiate Chorale, led by new music director
James Bagwell, announces its 68th season,
including The Lord of the Rings: The Fellowship
of the Ring, a concert performed live to the
film on October 9 and 10, 2009 at 7:30pm at
Radio City Music Hall; a Gala Evening, A Jubilant
Song, on December 1, 2009 at 7pm at Carnegie
Hall; the World Premiere Two Act Concert Version
of Ricky Ian Gordon and Michael Korie's rendering
of The Grapes of Wrath on March 22, 2010 at
8pm at Carnegie Hall; and George Frideric
Handel's Israel in Egypt, conducted by James
Bagwell, on May 12, 2010 at 8pm at the Skirball
Center for the Performing Arts, New York University.
"To be a part of one of the nation's
leading arts groups is an honor. I am thrilled
to begin to work with such a dynamic organization.
This season is about journeys - of The Chorale,
my own journey, and of the characters whose
stories unfold in our programming. First,
we will be part of a hobbit's journey as we
perform the soundtrack to The Fellowship of
the Ring, the first of The Lord of the Rings
trilogy, while the film is shown in high definition
at Radio City Music Hall. At our gala, I will
begin my conducting journey with The Chorale
as we celebrate this exceptional organization's
journey from its beginning until now and as
we move forward together. In December, we
will present a world premiere rendering of
the epic American journey, The Grapes of Wrath.
We will conclude the season in May with the
biblical journey of the Exodus, singing Handel's
Israel in Egypt. This performance will take
our Chorale journey to a beautiful new venue,
the Skirball Center Theater. This season promises
to be an exciting one and I look forward to
leading The Chorale forward," said James
Bagwell, music director of The Collegiate
Chorale.
This fall, a once-in-a-lifetime
experience comes to New York as Howard Shore's
Grammy® and Academy Award®-winning
score for The Lord of the Rings: The Fellowship
of the Ring comes to life at the world-famous
Radio City Music Hall on Friday, October 9
and Saturday, October 10, 2009. Beneath an
immense 60-foot screen, Mr. Shore's complete
original score will be performed live to Peter
Jackson's award-winning epic. The music of
Middle-earth will be brought to life by more
than 300 musicians: Switzerland's 21st Century
Symphony Orchestra, the internationally-acclaimed
The Collegiate Chorale, the Grammy Award®-winning
Brooklyn Youth Chorus and renowned soprano
Kaitlyn Lusk, all under the direction of celebrated
Maestro Ludwig Wicki. Tickets are $54-$150
and are available by calling Ticketmaster
at (212) 307-4111 or (800) 745-3000 or online
at www.radiocity.com/events/lord-of-the-rings-1009.html.
This event is presented by CAMI Music and
New York Comic Con in association with The
New York Renaissance Faire, The One Ring.Net
and The Angel Orensanz Foundation. Swiss International
Air Lines is the official sponsor.
On December 1, 2009 at 7pm at Carnegie Hall,
join James Bagwell, Roger Rees and many well-known
friends as they lead A Jubilant Song, a celebration
of The Collegiate Chorale's remarkable history
of exceptional conductors, noteworthy commissions
and premieres, and multi-faceted choral programming.
As the new Music Director, Mr. Bagwell gives
tribute to his predecessors and ushers in
a new era of The Collegiate Chorale. Works
to be performed include the Beethoven Choral
Fantasy, Verdi arias, A Jubilant Song by Dello
Joio, and excerpts from Bernstein's A White
House Cantata. Featuring Salvatore Licitra,
tenor; Emily Pulley, soprano; Anita Johnson,
soprano; Robert Mack, tenor; Erin Morley,
soprano; Jenny Lin, piano; and Roger Rees,
emcee. A benefit dinner with Mr. Bagwell and
guest artists at Carnegie Hall's Rohatyn Room
will follow the concert. Tickets are $25-$125
and will be available at 646-202-9623 or www.collegiatechorale.org.
An all-star cast from opera and Broadway
comes together to present the World Premiere
Two Act Concert Version of Ricky Ian Gordon
and Michael Korie's beautiful rendering of
Nobel Prize-winner John Steinbeck's epic Pulitzer
Prize-winning novel, The Grapes of Wrath,
on March 22, 2010 at Carnegie Hall, conducted
by Ted Sperling. Called by Musical America
"The great American opera," Gordon's
opera incorporates American popular musical
styles of the 20s and 30s: song-and-dance,
sweet and rousing love songs, ballads with
banjos, jazz choruses, and a barbershop quartet.
Just like the novel itself, the work is both
heart-wrenching and uplifting. Gordon (music)
and Korie (libretto) have collaborated with
The Chorale to shorten the length of the original
opera, while composing new material for the
chorus. And if that starry cast - Victoria
Clark, Christine Ebersole, Jane Fonda, Elizabeth
Futral, Anthony Dean Griffey, Nathan Gunn,
Peter Halverson, Steven Pasquale, Stephen
Powell, Andrew Wilkowske and Matthew Worth
- isn't enough inspiration to see the show,
the role of Tom Joad's young daughter, Ruthie,
will be sung by Nathan Gunn's daughter, Madeline
Gunn. Directed by Eric Simonson with lighting
design by Frances Aronson. Tickets are $25-$160
and will be available at 646-202-9623 or www.collegiatechorale.org.
James Bagwell will conduct George F. Handel's
Israel in Egypt, featuring Brian Asawa, alto;
Sari Gruber, soprano; and Rufus Müller,
tenor on May 12, 2010 at 8pm at the Skirball
Center for the Performing Arts, New York University.
Darkness over the earth, water turning to
blood, plagues of jumping frogs, buzzing insects,
and hailstones, an oncoming mighty storm,
and the parting of the Red Sea while hordes
of horsemen and chariots are engulfed - such
imagery calls for the masterful hand of George
F. Handel. In this choral tour de force, some
of the most vivid images of the Exodus story
are recounted during the first segment, which
is then followed by the beautiful and exultant
second part, The Song of Moses. At times tender,
simple, stately, crashing, complex and colossal,
Israel in Egypt is one of Handel's monumental
achievements, featuring the chorus in an unprecedented
way with lovely and descriptive solos and
duets accentuating their story throughout.
Tickets are $25-$85 and will be available
online at www.skirballcenter.nyu.edu, by phone
at 212-352-3101, or in person at the Skirball
Center Shagan Box Office 566 LaGuardia Place,
Tuesday-Saturday 12-6pm.
Subscription packages are available by phone
at 646-202-9623 or online at www.collegiatechorale.org.
The Collegiate Chorale, among New York's
foremost vocal ensembles, has added to the
richness of the city's cultural fabric for
more than 65 years. Founded in 1941 by the
legendary conductor Robert Shaw, The Chorale
achieved national and international prominence
under the leadership of Robert Bass. The Chorale
has established a preeminent reputation for
its interpretations of the traditional choral
repertoire, vocal works by American composers,
and rarely heard operas-in-concert, as well
as commissions and premieres of new works
by today's most exciting creative artists.
In the Summer of 2009, The Chorale performed
for the fourth season at Switzerland's Verbier
Music Festival. In July 2008, The Chorale
toured with the Israel Philharmonic Orchestra
under Zubin Mehta in Tel Aviv, Haifa, and
Jerusalem.
The mission of The Collegiate Chorale is to
enrich its audiences through innovative programming
and exceptional performances of a broad range
of vocal music featuring a premier choral
ensemble. Inherent in its mission is The Chorale's
belief that choral music is a compelling collaboration
that creates a powerful, shared experience
unifying listeners and musicians of all backgrounds,
beliefs and ages.
James Bagwell maintains an active schedule
throughout the United States as a conductor
of choral, operatic, and orchestral music.
He has recently been named Principal Guest
Conductor of the American Symphony Orchestra
in New York. Since 2003 he has been Director
of Choruses for the Bard Music Festival, conducting
and preparing choral works during the summer
festival at the Fisher Center for the Performing
Arts at Bard College. He has also prepared
The Concert Chorale of New York for performances
with the American Symphony Orchestra, the
Los Angeles Philharmonic, and the Mostly Mozart
Festival (broadcast nationally in 2006 on
Live from Lincoln Center) all in Avery Fisher
Hall at Lincoln Center. In 2005 he was named
Music Director of The Dessoff Choirs in New
York, who under his leadership have made numerous
appearances at Carnegie Hall in addition to
their regular season. In 2009 the Dessoff
Symphonic Choir appeared with the New York
Philharmonic performing both Mahler's Eighth
Symphony and Britten's War Requiem for Lorin
Maazel's final concerts as Music Director.
James Bagwell has trained choruses for a
number of major American and International
orchestras, including the San Francisco Symphony,
Los Angeles Philharmonic, NHK Symphony (Japan),
St. Petersburg Symphony, The American Symphony
Orchestra, Cincinnati Symphony Orchestra,
Cincinnati Pops Orchestra, and the Indianapolis
Symphony Orchestra. He has worked with noted
conductors such as Lorin Maazel, Esa-Pekka
Salonen, Michael Tilson Thomas, Louis Langrée,
Leon Botstein, Vladimir Ashkenazy, Raymond
Leppard, James Conlon, Jesús López-Cobos,
Erich Kunzel, Leon Fleischer, and Robert Shaw.
For eleven seasons, he has been Music Director
for the May Festival Youth Choir in Cincinnati,
which was recently featured on the radio program
From the Top. He has conducted some 25 productions
as Music Director of Light Opera Oklahoma,
including Candide, Sweeney Todd, and The Merry
Widow, among others. At Bard SummerScape he
has lead numerous theatrical works, most notably
The Tender Land, which received unanimous
praise from The New York Times, The New Yorker,
and Opera News. He frequently appears as guest
conductor for orchestras around the country
and abroad, including the Jerusalem Symphony,
Tulsa Symphony, and the Indianapolis Chamber
Orchestra. For three seasons he was Artistic
Director of The Indianapolis Symphonic Choir.
He holds degrees from Birmingham-Southern
College, Florida State University, and Indiana
University. He has taught since 2000 at Bard
College, where he is Director of the Music
Program.
For more information, visit www.collegiatechorale.org.
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