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Frank J. Avella’s
Film Column
2013. A Wolf of Film Years!

Ruminating on the films that affected me the most in 2013, a pattern began forming among most of my favorites—especially the American films ...(more)

Frank J. Avella’s
Film Column:

Southern Baptist Sissies

Actor Emerson Collins

Del Shores’ ambitious play, Southern Baptist Sissies, has been given the motion picture treatment via the stage version filmed before a live audience...(more)

 

Film Reviews

  Lotfy Nathan's 12 O’Clock Boys
Reviewed by Harvey Karten
  Steve McQueen’s 12 Years a Slave
Reviewed by Frank J. Avella
  Steve McQueen’s 12 Years a Slave
Reviewed by Harvey Karten
  Martha Shane and Lana Wilson's After Tiller
Reviewed by Harvey Karten
  Wladyslaw Pasikowski's Aftermath (Poklosie)
Reviewed by Harvey Karten
  David O. Russell's American Hustle
Reviewed by Harvey Karten
  Adam McKay's Anchorman 2: The Legend Continues
Reviewed by Harvey Karten
  Kat Coiro's And While We Were Here
Reviewed by Harvey Karten
  J.C. Chandor’s All is Lost
Reviewed by Frank J. Avella
  J.C. Chandor’s All is Lost
Reviewed by Harvey Karten
  Joe Brewster and Michèle Stephenson's
American Promise
Reviewed by Harvey Karten
  Frederick Wiseman’s Documentary Feature
At Berkeley
Reviewed by Frank J. Avella
  David Posamentier & Geoff Moore’s
Better Living Through Chemistry

Reviewed by Frank J. Avella
  Navot Papushado & Aharon Keshales'
Big Bad Wolves (Mi mefahed mezeev hara)
Reviewed by Harvey Karten
  Abdellatif Kechiche’s
Blue is the Warmest Color (La Vie D’Adele)

Reviewed by Frank J. Avella
  Woody Allen's Blue Jasmine
Reviewed by Frank J. Avella
  Woody Allen’s Blue Jasmine
Reviewed by Harvey Karten
  Brian Percival's The Book Thief
Reviewed by Harvey Karten
  Felix Van Groeningen's
The Broken Circle Breakdown
Reviewed by Harvey Karten
 
Katherine Fairfax Wright and Malika Zouhali-Worrall's
Call Me Kuchu
Reviewed by Harvey Karten
  Paul Greengrass’s Captain Phillips
Reviewed by Frank J. Avella

  Paul Greengrass’s Captain Phillips
Reviewed by Harvey Karten
  Fredrik Bond's Charlie Countryman
Reviewed by Harvey Karten
  Jean-Marc Vallée's Dallas Buyers Club
Reviewed by Harvey Karten
  Joe Sorge's Divorce Corp.
Reviewed by Harvey Karten
  Joseph Gordon-Levitt's Don Jon
Reviewed by Harvey Karten
  Shana Feste's Endless Love
Reviewed by Harvey Karten
  Nicole Holofcener's Enough Said
Reviewed by Harvey Karten
  Luc Besson's The Faly
Reviewed by Frank J. Avella
  Bill Condon’s The Fifth Estate
Reviewed by Frank J. Avella
  Chris Buck & Jennifer Lee’s Frozen
Reviewed by Frank J. Avella

  Joshua Sanchez’s Four
Reviewed by Frank J. Avella
  Gary Entin’s Geography Club
Reviewed by Frank J. Avella
  Sebastián Lelio's Gloria
Reviewed by Frank J. Avella
  Wes Anderson’s
The Grand Budapest Hotel
Reviewed by Frank J. Avella
  Alfonso Cuaron’s Gravity
Reviewed by Frank J. Avella
  Alfonso Cuaron’s Gravity
Reviewed by Harvey Karten
  Paolo Sorrentino’s
The Great Beauty (La Grande Bellezza)
Reviewed by Frank J. Avella
  Peter Segal's Grudge Match
Reviewed by Harvey Karten
  Christian Vincent's Haute Cuisine
Reviewed by Harvey Karten
  Spike Jonze's Her
Reviewed by Harvey Karten
  Kevin Macdonald’s How I Live Now
Reviewed by Frank J. Avella
  Emma Davie and Morag McKinnon's I Am Breathing
Reviewed by Harvey Karten
  Jeffrey Schwarz’s I Am Divine
Reviewed by Frank J. Avella
  Jacob Kornbluth's Inequality for All
Reviewed by Harvey Karten

  Jamie Meltzer's Informant
Reviewed by Harvey Karten
  Joel & Ethan Coen’s Inside Llewyn Davis
Reviewed by Frank J. Avella
  Ralph Fiennes’s The Invisible Woman
Reviewed by Frank J. Avella
  Chiemi Karasawa’s Elaine Stritch: Shoot Me
Reviewed by Frank J. Avella
  Robert May's Kids For Cash
Reviewed by Harvey Karten
  John Krokidas’s Kill Your Darlings
Reviewed by Frank J. Avella

  Jason Reitman's Labor Day
Reviewed by Harvey Karten
  John Turteltaub's Last Vegas
Reviewed by Harvey Karten
  Hirokazu Kore-eda's
Like Father, Like Son

Reviewed by Harvey Karten
  Dheeraj Akolkar’s
Liv & Ingmar
  Peter Berg's Lone Survivor
Reviewed by Harvey Karten
  Stanley J. Orzel's Lost for Words
Reviewed by Harvey Karten

  Valeria Golino’s Miele (Honey)
Reviewed by Frank J. Avella
  George Clooney and Grant Heslov's
The Monuments Men
Reviewed by Harvey Karten
  Andrew Dosunmu's Mother of George
Reviewed by Harvey Karten
  Shaul Schwarz's Narco Cultura
Reviewed by Harvey Karten
  Jaume Collet-Serra's Non-Stop
Reviewed by Harvey Karten
  Alexander Payne’s Nebraska
Reviewed by Frank J. Avella
  Michael Mayer’s Out in the Dark
Reviewed by Frank J. Avella
  Scott Cooper's Out of the Furnace
Reviewed by Harvey Karten
  Peter Landesman's Parkland
Reviewed by Harvey Karten
  Asghar Farhadi The Past (Le passé)
Reviewed by Harvey Karten
  Régis Roinsard's Populaire
Reviewed by Harvey Karten
  Denis Villenueve's Prisoners
Reviewed by Harvey Karten
  Kim Mordaunt's The Rocket (Bang fai)
Reviewed by Harvey Karten
  Brad Furman's Runner Runner
Reviewed by Harvey Karten
  Ron Howard's Rush
Reviewed by Frank J. Avella
  John Lee Hancock's Saving Mr. Banks
Reviewed by Harvey Karten

  Ben Stiller's The Secret Life of Walter Mitty
Reviewed by Harvey Karten
  Jehane Noujaim's The Square
Reviewed by Harvey Karten
  Fedor Boncarchuk's Stalingrad
Reviewed by Harvey Karten

  Alain Guiraudie’s
Stranger by the Lake (L’inconnu du lac)
Reviewed by Frank J. Avella
  Teller's Tim's Vermeer
Reviewed by Harvey Karten
  Martin Scorsese's The Wolf of Wall Street
Reviewed by Harvey Karten

  Eran Riklis's Zaytoun
Reviewed by Harvey Karten
  51st Annual New York Film Festival
  Steve McQueen’s 12 Years a Slave
Reviewed by Frank J. Avella
  Richard Curtis’s About Time
Reviewed by Frank J. Avella
  Catherine Breillat’s Abuse of Weakness
Reviewed by Frank J. Avella
  J.C. Chandor’s All is Lost
Reviewed by Frank J. Avella
  Frederick Wiseman’s Documentary Feature
At Berkeley
Reviewed by Frank J. Avella
 

Abdellatif Kechiche’s
Blue is the Warmest Color (La Vie D’Adele)

Reviewed by Frank J. Avella

  Paul Greengrass’s Captain Phillips
Reviewed by Frank J. Avella
  James Gray’s The Immigrant
Reviewed by Frank J. Avella
  Joel & Ethan Coen’s Inside Llewyn Davis
Reviewed by Frank J. Avella
  Ralph Fiennes’s The Invisible Woman
Reviewed by Frank J. Avella
  Philippe Garrel’s Jealousy (La Jalousie)
Reviewed by Frank J. Avella
  Rithy Panh’s The Missing Picture
Reviewed by Frank J. Avella
  Alexander Payne’s Nebraska
Reviewed by Frank J. Avella
  Jarmusch’s Only Lovers Left Alive
Reviewed by Frank J. Avella
  Jehane Noujaim’s The Square
Reviewed by Frank J. Avella
  Alain Guiraudie’s
Stranger by the Lake (L’inconnu du lac)
Reviewed by Frank J. Avella
  Newfest 2013
  Stephan Lacant’s Free Fall
Reviewed by Frank J. Avella
  Gary Entin’s Geography Club
Reviewed by Frank J. Avella
  Cory Krueckeberg’s
Getting Go: The Go Doc Project
Reviewed by Frank J. Avella
  Travis Matthews & James Franco’s
Interior. Leather Bar.
Reviewed by Frank J. Avella
  Christina Voros’s Kink
Reviewed by Frank J. Avella
  Antonio Hens’s
La Partida (The Last Match)
Reviewed by Frank J. Avella
  Mark Thiedeman’s Last Summer
Reviewed by Frank J. Avella
  Michael Mayer’s Out in the Dark
Reviewed by Frank J. Avella
  Yen Tan’s Pit Stop Frank J. Avella
Reviewed by Frank J. Avella
  Scott Gracheff’s
The Rugby Player
Revewed by Frank J. Avella
  Chris Mason Johnson’s Test
Reviewed by Frank J. Avella
  2013 Qfest
  Pau Masó’s Aleksandr’s Price
Reviewed by Frank J. Avella
  David Lambert’s Beyond the Walls
Reviewed by Frank J. Avella
  Ilo Orleans’s Capital Games
Reviewed by Frank J. Avella
  Jay Durrwachter’s The Deception
Reviewed by Frank J. Avella
  Alan Brown’s Five Dances
Reviewed by Frank J. Avella

  Joshua Sanchez’s Four
Reviewed by Frank J. Avella

  Stephan Lacant’s Free Fall
Reviewed by Frank J. Avella
  Darren Stein’s G.B.F.
Reviewed by Frank J. Avella
 

Gary Entin’s Geography Club
Reviewed by Frank J. Avella

  Cory Krueckeberg’s The Go Doc Project
Reviewed by Frank J. Avella

  Chris Michael Birkmeier’s In Bloom
Reviewed by Frank J. Avella
  Travis Matthews & James Franco’s
Interior. Leather Bar.
Reviewed by Frank J. Avella
  Antonio Hens’s
La Partida (The Last Match)
Reviewed by Frank J. Avella
  Stefan Westerwelle & Patrick Schuckmann’s
Lose Your Head
Reviewed by Frank J. Avella
  Jane Clark’s Meth Head
Reviewed by Frank J. Avella
  Lee Galea’s Monster Pies
Reviewed by Frank J. Avella

  Michael Mayer’s Out in the Dark
Reviewed by Frank J. Avella
  Ash Christian’s Petunia
Reviewed by Frank J. Avella
  Marcelo Briem Stamm’s Solo
Reviewed by Frank J. Avella
  Todd Verow’s Tumbledown
Reviewed by Frank J. Avella

  13th Annual Tribeca Film Festival Reviews
 

Scott Coffey’s Adult World
Reviewed by Frank J. Avella

  Claudio Giovannesi’s
Ali Blue Eyes (Ali ha gli occhi azzuri)

Reviewed by Frank J. Avella
  Ramin Bahrani’s
At Any Price
Reviewed by Frank J. Avella
  Lance Edmands’s Bluebird
Reviewed by Frank J. Avella
  Chiemi Karasawa’s Elaine Stritch: Shoot Me
Reviewed by Frank J. Avella
  Craig Zisk’s The English Teacher
Reviewed by Frank J. Avella
  Tomasz Wasilewski’s Floating Skyscrapers
Reviewed by Frank J. Avella
  Darren Stein’s G.B.F.
Reviewed by Frank J. Avella
  Jane Weinstock’s The Moment
Reviewed by Frank J. Avella
  Mira Nair’s The Reluctant Fundamentalist
Reviewed by Frank J. Avella
  Clark Gregg’s Trust Me
Reviewed by Frank J. Avella
  Jonathan Gurfinkel’s
Six Acts

Reviewed by Frank J. Avella
  Neil LaBute’s Some Velvet Morning
Reviewed by Frank J. Avella
  Emanuel Hoss-Desmarais’s Whitewash
Reviewed by Frank J. Avella
  50th Annual New York Film Festival
  Michael Haneke’s Amour
Reviewed by Frank J. Avella
  Robert Zemeckis’ Flight
Reviewed by Frank J. Avella
  Leos Carax’s Holy Motors
Reviewed by Frank J. Avella
 
Roger Michell’s
Hyde Park on Hudson
Reviewed by Frank J. Avella
  Ang Lee’s Life of Pi
Reviewed by Frank J. Avella
  Dheeraj Akolkar’s
Liv & Ingmar

Reviewed by Frank J. Avella
  Marina Zenovich’s
Roman Polanski: Odd Man Out

Reviewed by Frank J. Avella
  Lee Daniels’s
The Paperboy

Reviewed by Frank J. Avella
  Newfest
  Thom Fitzgerald’s Cloudburst
Reviewed by Frank J. Avella
  Joshua Sanchez’s Four
Reviewed by Frank J. Avella
  Travis Mathews’s I Want Your Love
Reviewed by Frank J. Avella
  Bavo Defurne’s
North Sea Texas (Noordzee, Texas)
Reviewed by Frank J. Avella
  Ash Christian’s Petunia
Reviewed by Frank J. Avella
  Coley Sohn’s Sassy Pants
Reviewed by Frank J. Avella
  Eytan Fox’s Yossi
Reviewed by Frank J. Avella
  Qfest
  Todd Verow’s Bad Boy Street
Reviewed by Frank J. Avella

  Thom Fitzgerald’s Cloudburst
Reviewed by Frank J. Avella
  Terracino’s Elliot Loves
Reviewed by Frank J. Avella
  Glenn Gaylord’s I Do
Reviewed by Frank J. Avella
  Travis Mathews’s I Want Your Love
Reviewed by Frank J. Avella

  Ferzan Ozpetek’s Loose Cannons (Mine Vaganti)
Reviewed by Frank J. Avella
  Rob Williams’s The Men Next Door
Reviewed by Frank J. Avella
  Robert Hasfogel’s Men to Kiss (Männer zum knutschen)
Reviewed by Frank J. Avella
  Nathan Adloff’s Nate & Margaret
Reviewed by Frank J. Avella
  Bavo Defurne’s
North Sea Texas (Noordzee, Texas)
Reviewed by Frank J. Avella
  Coley Sohn’s Sassy Pants
Reviewed by Frank J. Avella
  Simon Chung’s Speechless
Reviewed by Frank J. Avella
  Ryan Gielen’s Turtle Hill, Brooklyn
Reviewed by Frank J. Avella
  Stephen Cone’s The Wise Kids
Reviewed by Frank J. Avella
  Open Roads Film Festival Reviews
  Pippo Mezzapesa’s
Annalisa (Il Paese Delle Spose Infelici)
Reviewed by Frank J. Avella
  Daniele Vicari’s
Diaz: Don’t Clean Up This Blood

Reviewed by Frank J. Avella
  Francesco Bruni’s
Easy! (Scialla!)
Reviewed by Frank J. Avella
  Massimiliano Bruno’s
Escort in Love (Nessuno Mi Puo’ Guidicare)
Reviewed by Frank J. Avella
  Ivan Cotroneo’s
Kryptonite! (La Kryptonite Nella Borsa)

Reviewed by Frank J. Avella
 
Ferzan Oztepek’s
Magnifica Presenza (Magnificent Presence)
Reviewed by Frank J. Avella
  Emanuele Crialese’s Terraferma
Reviewed by Frank J. Avella
  2012 Tribeca Film Festival Reviews
 
Jay Gammill’s Free Samples
Reviewed by Frank J. Avella
  Lee Kirk’s The Giant Mechanical Man
Reviewed by Frank J. Avella
  Andrew Semans’s Nancy, Please
Reviewed by Frank J. Avella
  Daniel Schechter’s Supporting Characters
Reviewed by Frank J. Avella
  Lynn Shelton’s Your Sister’s Sister
Reviewed by Frank J. Avella
 

DVD/BLU-RAY Reviews

  Danny Boyle’s 127 Hours
Reviewed by Frank J. Avella
  Marc Webb’s (500) Days of Summer
Reviewed by Frank J. Avella

  David Michôd's Animal Kingdom
Reviewed by Frank J. Avella
  Leslye Headland’s Bachelorette
Reviewed by Frank J. Avella

  HBO's Big Love: The Complete Third Season
Reviewed by Frank J. Avella
  HBO’s Big Love: The Complete Fourth Season
Reviewed by Frank J. Avella
  HBO’s
Bill Maher: …But I’m Not Wrong

Reviewed by Frank J. Avella
  HBO's Bored to Death: The Complete First Season
Reviewed by Frank J. Avella
 


Robert Altman’s Brewster McCloud
Reviewed by Frank J. Avella

 

  Pedro Almodóvar's
Broken Embraces (Los abrazos rotos)
Reviewed by Frank J. Avella
  Steven Antin’s Burlesque
Reviewed by Frank J. Avella
  Laurent Cantet’s The Class
Reviewed by Frank J. Avella
  Dallas: The Complete Fourteenth Season
Reviewed by Frank J. Avella
  Damages - Season Two
Reviewed by Frank J. Avella
  Dark Blue: Season One
Reviewed by Frank J. Avella
  Marco Filiberti’s
David’s Birthday (Il Compleanno)
Reviewed by Frank J. Avella
  Stephan Elliott’s Easy Virtue
Reviewed by Frank J. Avella
  Ryan Murphy’s Eat Pray Love
Reviewed by Frank J. Avella

  Rowan Woods' Fragments
Reviewed by Frank J. Avella
  HBO Mini-Series Generation Kill
Reviewed by Frank J. Avella
  Steven Williford’s The Green
Reviewed by Frank J. Avella
  HBO's Grey Gardens
Reviewed by Frank J. Avella
  Films by Gordon Ball
Reviewed by Peter Neofotis
  Gossip Girl: The Complete Third Season
Reviewed by Frank J. Avella
  Rob Epstein & Jeffrey Friedman’s Howl
Reviewed by Frank J. Avella
  Kathryn Bigelow’s The Hurt Locker
Reviewed by Frank J. Avella
  John Cassavetes’ Husbands
Reviewed by Frank J. Avella
  Armando Iannucci’s In the Loop
Reviewed by Frank J. Avella
  HBO’s Into the Storm
Reviewed by Frank J. Avella
  Phyllida Lloyd’s The Iron Lady
Reviewed by Frank J. Avella
  Nora Ephron's Julie and Julia
Reviewed by Frank J. Avella
  Tom Hooper’s The King’s Speech
Reviewed by Frank J. Avella
  Samuel Maoz’s Lebanon
Reviewed by Frank J. Avella
  Gary Winick’s Letters to Juliet
Reviewed by Frank J. Avella
  David Lewis’s Longhorns
Reviewed by Frank J. Avella

  Nigel Cole’s Made in Dagenham
Reviewed by Frank J. Avella
  Crayton Robey’s Making the Boys
Reviewed by Frank J. Avella

  Kenneth Lonergan's Margaret
Reviewed by Harvey Karten
 

Simon Curtis's My Week With Marilyn
Reviewed by Frank J. Avella

  Night at the Museum: Battle of the Smithsonian
Reviewed by Frank J. Avella
 

Rob Marshall’s Nine
Reviewed by Frank J. Avella

  Michael Mayer’s Out in the Dark
Reviewed by Frank J. Avella
  Nip/Tuck: The Sixth and Final Season
Reviewed by Frank J. Avella
  The Norman Conquests
Reviewed by Frank J. Avella
  Sam Taylor-Wood’s Nowhere Boy
Reviewed by Frank J. Avella
  Agatha Christie's
Poirot: Murder on the Orient Express
Reviewed by Frank J. Avella
  Steve Shill’s Obsessed
Reviewed by Frank J. Avella
  Jake Cashill's Oral Fixation
Reviewed by Harvey Karten
  HBO’s The Pacific
Reviewed by Frank J. Avella
  Alexandre Aja’s Piranha 3-D
Reviewed by Frank J. Avella
  Marco Berger’s Plan B
Reviewed by Frank J. Avella
  Johnathon Schaech's The Poker Club
Reviewed by Frank J. Avella
 

David Kittredge's
Pornography A Thriller
Reviewed by Frank J. Avella

  Rob Williams’s Role/Play
Reviewed by Frank J. Avella
  HBO’s Rome: The Complete Series
Reviewed by Frank J. Avella
 

Tom Ford’s A Single Man
Reviewed by Frank J. Avella

  David Fincher’s The Social Network
Reviewed by Frank J. Avella
  Brian Koppelman & David Levien’s Solitary Man
Reviewed by Frank J. Avela
  Jack Garfein's The Strange One
Reviewed by Frank J. Avella
  Peter Tewksbury’s Sunday in New York
Reviewed by Frank J. Avella
  Martin Scorsese’s Taxi Driver
Reviewed by Frank J. Avella
  Amir Bar-Lev’s
The Tillman Story

Reviewed by Frank J. Avella
  James Mottern’s Trucker
Reviewed by Frank J. Avella
  Alan Ball's True Blood
Reviewed by Frank J. Avella
  Patrick Tatopoulos' Underworld: Rise of the Lycans
Reviewed by Frank J. Avella
  V: The Complete First Season
Reviewed by Frank J. Avella
  Matt Tyrnauer's Valentino: The Last Emperor
Reviewed by Frank J. Avella
  Oliver Stone’s
Wall Street: Money Never Sleeps

Reviewed by Frank J. Avella
  Ari Folman's Waltz with Bashir
Reviewed by Frank J. Avella
  Woody Allen’s Whatever Works
Reviewed by Frank J. Avella
  Woody Allen’s
You Will Meet a Tall Dark Stranger

Reviewed by FrankJ. Avella
  New York Film Festival
  Michel Hazanavicius’s The Artist
Reviewed by Frank J. Avella
  Roman Polanski’s Carnage
Reviewed by Frank J. Avella
  Alice Rohrwacher’s
Corpo Celeste (Celestial Body)
Reviewed by Frank J.Avella
  Alexander Payne’s The Descendants
Reviewed by Frank J. Avella
 


Jean-Pierre Dardenne & Luc Dardenne’s
The Kid With a Bike (Le Gamin au velo)
Reviewed by Frank J. Avella

 

  Aki Kaurismaki’s Le Havre
Reviewed by Frank J. Avella
  Sean Durkin’s Martha Marcy May Marlene
Reviewed by Frank J. Avella
  Lars von Trier’s Melancholia
Reviewed by Frank J. Avella
  Simon Curtis’s My Week With Marilyn
Reviewed by Frank J. Avella
  Steve McQueen's Shame
Reviewed by Frank J. Avella
  Pedro Almodóvar’s
The Skin I Live In (La piel que habito)
Reviewed by Frank J. Avella
  Newfest Reviews
  Christian Martin & Darren Flaxstone’s Buffering
Reviewed by Frank J. Avella
  Casper Andreas's Going Down in La La Land
Reviewed by Frank J. Avella
  Rashaad Ernesto Green's Gun Hill Road
Reviewed by Frank J. Avella
  Benjamin Cantu's Harvest (Stadt Land Fluss)
Reviewed by Frank J. Avella
  J.T. Tepnapa's Judas Kiss
Reviewed by Frank J. Avella
  Andrew Haigh's Weekend
Reviewed by Frank J. Avella
  John Lavin’s Hollywood to Dollywood
Reviewed by Frank J. Avella
  Jean-Claude Schlim's House of Boys
Reviewed by Frank J. Avella
  J.T. Tepnapa's Judas Kiss
Reviewed by Frank J. Avella
  Michael Simon's The Love Patient
Reviewed by Frank J. Avella
  Caytha Jentis’s The One
Reviewed by Frank J. Avella
  Webster Forrest’s Over the Edge
Reviewed by Frank J. Avella
  Open Roads Film Festival
  Sergio Castellitto’s
La Bellezza del Somaro (Love and Slaps)

Reviewed by Frank J. Avella
  Gianni Di Gregorio’s
The Salt of Life (Gianni e le donne)
Reviewed by Frank J. Avella
  Lucio Pellegrini’s
Figli Delle Stelle (Unlikely Revolutionaries)
Reviewed by Frank J. Avella
  Luca Lucini’s
The Woman of My Life (La donna della mia vita)
Reviewed by Frank J. Avella
  Tribeca Film Festival Reviews
  Steven Silver’s The Bang Bang Club
Reviewed by Frank J. Avella
  Philip Gelatt’s The Bleeding House
Reviewed by Frank J. Avella
  Lee Hirsch’s The Bully Project
Reviewed by Frank J. Avella
 
The Vicious Brothers’ Grave Encounters
Reviewed by Frank J. Avella

  Jasmine McGlade Chazelle’s Maria My Love
Reviewed by Frank J. Avella
  Peter Mullan’s NEDS
Reviewed by Frank J. Avella
  Brady Kiernan’s Stuck Between Stations
Reviewed by Frank J. Avella
   
   

 

 



 

 


 

 

 

 



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